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GLAMART Academy
Exploration LAB: "Training and Management Program for Artists" 

Scholarships:

100% and 50%

Duration:

10 matches

Schedule:

3:00 p.m. to 6:00 p.m. (GMT-3)

Modality:

From distance

Total fee:

AR$9000 | $60

Photo by Alice Dietrich on Unsplash

PROXIMAMENTE...

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The Training and Management Program for Artists provides specific tools through modules specially designed for each of the aspects that a contemporary artist needs to consolidate in his quest to be part of the art system.


The Program will provide a virtual classroom and access to free modules with theoretical content.


Parallel to his training, the artist will be able to create bonds between his peers, which will enrich his own production, his gaze and the group artistic experience.


Each module aims to offer specific solutions to the requirements of the current system, without losing sight of the individuality of each of the participants. They will be in charge of qualified trainers according to the thematic axes.


The program will be coordinated by Cecilia Medina and in this edition we have the collaboration of Noelia Novosel, offering a management perspective at each step.

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“It served me as a space for dialogue. For me, who comes from design, it allowed me to discover different visions and make connections with loose ends of my research”

“It is a super valuable space. I come from the performing arts where the collective is vital and in the field of visuals I don't see that being the case and for me the collective is the only solution”

“Hyper well organized: content management and virtuality. A success to make a program with an accent on topics that are taboo”

“The program sets up a network image that would be good to strengthen, deepen and extend over time. Because you have to think less individually, more closely, more as a team”

PROXIMAMENTE...

PROGRAM

MODULE 1: "Art and Production"

The development of the body of work will be addressed, emphasizing the importance of establishing short, medium and long-term objectives, as well as the way to achieve them. For this, the following will be taken into account: the vision, the production and the presentation of the work.

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  • “Thinking about the work from the route of an exhibition and establishing the conditions of the assembly”, by Leo Ocello

 

MODULE 2: "Decisions in management: application to financing and participation in contests, awards and residencies"

The different types of financing that are available in Argentina and abroad will be presented, seeking the most appropriate according to each of the artists and their works.  We will address the basic elements of presentation: statement, bio and folder assembly for each type of application.

  • "Knowing different opportunities: Tools to apply, present and present the work", by Lucia Warck Meister

 

MODULE 3: "The work and its management. Institutions and Market"  

Museums. Galleries, fairs, art dealers and national and international markets.  

  • "Artistic research as a work process", by Candela Sotos

  • “Exhibit in a museum and the importance of federal art development”, by Guillermo Marzullo

MODULE 4 - “New tools for new times”

New times and new challenges. This last module is to connect with new agendas and content that are presented today in the career of an artist.

  • Creative law for artists, the ABC of copyright and intellectual property, by Agustina Laboureau.

  • The digital world and how to position ourselves in it, by Martin Cravero.

 

At the end of the course, each participant must submit a dossier with their work and present themselves to the trainers, testing the tools acquired and the improvement of skills acquired.

TRAINERS

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Agustina Laboureau

Módulo 4: Nuevas herramientas para nuevos tiempos

Derechos de creativo para artistas, el ABC del derecho de autor y la propiedad intelectual

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Lucia Warck Meister 

Módulo 2: Decisiones en gestión

Conociendo distintas oportunidades: Herramientas para aplicar, presentarse y presentar la obra

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Guillermo Marzullo

Módulo 3: "La obra y su gestión. Instituciones y Mercado"

Exponer en un museo y la importancia del arte federal

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Martín Cravero

Módulo 4: Nuevas herramientas para nuevos tiempos

El mundo digital y cómo posicionarnos en él

PROXIMAMENTE...

PROXIMAMENTE...

DAYS AND TIMES 2021 EDITION

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Start date: August 7, 2021

Duration: 10 classes 

Modality: Distance - Virtual format 
weekly meetings

Hours: 3:00 p.m. to 6:00 p.m. on saturdays

Fee: total fee of AR$ 9000 for Argentine residents | u$s 60 for foreigners

Scholarships: the program has 2 types of scholarships (100% and 50%) 

Quantity: Maximum 20 participants

  • August 07: Theoretical first module | Leo Ocello

  • August 14: Practical first module | Leo Ocello

  • August 21: Theoretical second module | Lucia Warck Meister

  • August 28: Practical second module | Lucia Warck Meister

  • September 4: Theoretical third module | Cande Sotos

  • September 11: Theoretical third module | William Marzullo

  • September 18: Theoretical fourth module | Augustine Laboureau 

  • September 25: Theoretical fourth module | Martin Cravero

  • October 02 : Start of final individual sessions (1 week)

  • October 09: Closing with a surprise guest

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REGISTRATION MODE 2021

In order to register, it is necessary to have a Gmail account since the program will be carried out through a Google tool (Classroom, Meet, Drive, etc.), you have time until August 1, 2021. In this edition, 10 will be selected artists to access a scholarship, in any case the rest of the applicants will be able to participate in the program by paying the total fee. 


For a better experience of the program it is recommended to have basic knowledge of English. Since some examples and/or texts are usually in this language. 


On August 4, 2021, the artists selected for the scholarship will receive confirmation in their email and it will be announced on social networks.

PROXIMAMENTE...

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CONTACT

For any questions, or information about the program, do not hesitate to write us using the form or by mail to  info@glamart.art

Thank you! Message sent.

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