Scholarships:
100% and 50%
Duration:
10 matches
Schedule:
3:00 p.m. to 6:00 p.m. (GMT-3)
Modality:
From distance
Total fee:
AR$9000 | $60
Photo by Alice Dietrich on Unsplash
The Training and Management Program for Artists provides specific tools through modules specially designed for each of the aspects that a contemporary artist needs to consolidate in his quest to be part of the art system.
The Program will provide a virtual classroom and access to free modules with theoretical content.
Parallel to his training, the artist will be able to create bonds between his peers, which will enrich his own production, his gaze and the group artistic experience.
Each module aims to offer specific solutions to the requirements of the current system, without losing sight of the individuality of each of the participants. They will be in charge of qualified trainers according to the thematic axes.
The program will be coordinated by Cecilia Medina and in this edition we have the collaboration of Noelia Novosel, offering a management perspective at each step.

“It served me as a space for dialogue. For me, who comes from design, it allowed me to discover different visions and make connections with loose ends of my research”
“It is a super valuable space. I come from the performing arts where the collective is vital and in the field of visuals I don't see that being the case and for me the collective is the only solution”
“Hyper well organized: content management and virtuality. A success to make a program with an accent on topics that are taboo”
“The program sets up a network image that would be good to strengthen, deepen and extend over time. Because you have to think less individually, more closely, more as a team”
PROGRAM
MODULE 1: "Art and Production"
The development of the body of work will be addressed, emphasizing the importance of establishing short, medium and long-term objectives, as well as the way to achieve them. For this, the following will be taken into account: the vision, the production and the presentation of the work.
“Thinking about the work from the route of an exhibition and establishing the conditions of the assembly”, by Leo Ocello
MODULE 2: "Decisions in management: application to financing and participation in contests, awards and residencies"
The different types of financing that are available in Argentina and abroad will be presented, seeking the most appropriate according to each of the artists and their works. We will address the basic elements of presentation: statement, bio and folder assembly for each type of application.
"Knowing different opportunities: Tools to apply, present and present the work", by Lucia Warck Meister
MODULE 3: "The work and its management. Institutions and Market"
Museums. Galleries, fairs, art dealers and national and international markets.
"Artistic research as a work process", by Candela Sotos
“Exhibit in a museum and the importance of federal art development”, by Guillermo Marzullo
MODULE 4 - “New tools for new times”
New times and new challenges. This last module is to connect with new agendas and content that are presented today in the career of an artist.
Creative law for artists, the ABC of copyright and intellectual property, by Agustina Laboureau.
The digital world and how to position ourselves in it, by Martin Cravero.
At the end of the course, each participant must submit a dossier with their work and present themselves to the trainers, testing the tools acquired and the improvement of skills acquired.
TRAINERS
Agustina Laboureau
Agustina Laboureau es abogada apasionada por el arte y los vínculos interculturales, diplomada en PI por la Universidad Austral y Maestranda en Propiedad Intelectual orientada a la Innovación por la Universidad de San Andrés; es asesora de artistas, creativos e innovadores y fundadora de A&E Law Bureau cuyo leitmotiv es “Derecho Hecho Simple”.
Es asesora legal del Teatro Colón de Ciudad de Buenos Aires en gestión de activos intangibles; profesora titular de Propiedad intelectual en la Pontificia Universidad Católica Argentina y la UMSA y creadora de contenido sobre la temática para Galerías, Organizaciones públicas y privadas e Instituciones vinculadas con el mundo del arte, la cultura y la creatividad.
Lucía González Makowski
Lucía González Makowski (Buenos Aires, 1988) es curadora y gestora cultural. Actualmente es miembro del equipo curatorial del Centro Cultural San Martín y lleva adelante proyectos independientes de curaduría y gestión de arte contemporáneo.
Es Magíster en Estudios Curatoriales por la Universidad de Navarra y Lic. en Ciencia política por la Universidad Católica de Córdoba. Sus áreas de interés versan sobre los cruces entre el arte contemporáneo, la historia de la fotografía y la investigación curatorial.